In this ongoing project, members of the public are solicited to partake in an intimate interaction in which they present their palms and receive their fortunes transcribed onto paper for a small fee. The reading/writing is entirely silent. It is structured around two questions: “where are you coming from?” and “where are you going to?”
The project inquires into questions of trust, intimacy, power, and exchange.The fortune-teller raises questions about belief and desire as well as class and cross-cultural interaction. Fortune telling is illegal in many places including New York City. In the depths of Dante’s Inferno, the fortune-tellers walk with their heads on backwards, punished for presuming to see the future.